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Spider-Noir
Reinterpreting the iconic 1930’s aesthetic by balancing historical accuracy with modern dual-format cinematography, ensuring every look translated seamlessly between black-and-white and color.
Features
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Stranger Things
An Interview with Eryn Krueger Mekash | Department Head Make-Up and Mike Mekash, Co-Department Head of Prosthetics
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Sinners
For Ryan Coogler’s most personal piece of filmmaking yet, the complex and layered Sinners, there were many early discussions about setting, and how best to bring the complicated history of a region that was a melting pot of cultures to life on screen. Servicing the make-up and hair needs in particular, presented intricate challenges but also provided fertile ground to create something truly extraordinary.
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San Francisco Ballet’s “Frankenstein”
Our San Francisco Regional Local 706 hairs stylists and make-up artists have been incredible over the years and made it all possible to get such a large production well prepared and able to tour.
A co-production with the London Royal Ballet, this became one of the largest productions the company has ever taken on the road. The team at Segerstrom Center for the Arts were all Local 706 sisters and brothers.
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Jaja’s African Hair Braiding
Author Jocelyn Bioh demonstrates the sacredness of belonging and shared experience both on and off the stage in Jaja’s African Hair Braiding.
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Chad Powers
Prosthetic Make-Up Designer Vincent Van Dyke, Department Head Make-Up Alexei Dmitriew, and Department Head Hair Ally Vickers Discuss the Process
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Featured Posts
Chief of War
On the surface, the new Apple TV+ series starring Jason Momoa might appear similar to any other period action-driven drama. However, there are hidden intricacies of the work that this project truly distinguished itself.